[1971–1979] Italia Ailati
[1970–1978] Kodachrome
Overview[1970–1979] Catalogo
Overview[1970] Fotografie dei miei primi anni
Overview[1970–1979] f/11, 1/25, Luce Naturale
Overview[1971–1979] Italia Ailati
Overview[1972–1974] Colazione sull'erba
Overview[1973] km 0.25
Overview[1973] Atlante
Overview[1974] ∞ Infinito
Overview[1975–1979] Still-Life
Overview[1976–1979] Identikit
Overview[1977–1978] In Scala
Overview[1979] Il Paese dei Balocchi
Overview[1980–1981] Polaroid
Overview[1980–1992] Paesaggio Italiano
Overview[1982] Topografia-Iconografia
Overview[1985–1989] Il Profilo delle Nuvole
Overview[1985] Versailles
Overview[1987] Per Aldo Rossi
Overview[1989–1990] Morandi
Overview






When travelling by train, I have always been amused by the gap between the landscape visible from the carriage windows, and the photographs placed inside the train compartments depicting the usual sites – the leaning Tower of Pisa, Romanesque cathedrals, Reinassance cities, mountains, lakes ans pines along the coastline. The Journey is thus twofold: there is one to be seen from the window and another to be seen inside the train compartment. Perhaps it was on the basis of this observation that I called this journey of mine through Italy, Italia ailati. I tried to document both an image of a journey from the train window, and the juxtaposing images displayed inside the compartment. […] The official, ever-present, static Italy, alongside the other one, blurred by speed, as if it were of little importance.











